The Origin of the Work of Art Essay -- Literary Analysis, Heidegger

In The Origin of the Work of graphics, Heidegger attempts to the answer the question of what art is, as well as try to find the origin of art itself. In his attempt Heidegger distinguishes between his ideas of Work and Equipment. While, central to his argument within The Origin of the Work of Art, these ideas are strategic within themselves in Heideggers Philosophy. In this essay I will define as well as compare and contrast these two concepts. I will also explain the ideas of Earth and World presented by Heidegger in order to facilitate this goal. Fin all in ally, Ill conclude the paper by summarizing the key concepts and their consanguinity to one another.In order to accomplish the goal of defining and explaining both Equipment & Work Ill need to introduce and explain two other customary concepts in Heideggers work. These are the concepts of World and Earth. First Ill start with the notion of World.Heidegger writes, The world is not the mere collection of the countable or unco untable, familiar and unfamiliar things that are at hand (Heidegger, pg.170). Heidegger is stating that the World isnt merely an ontical concept that most of us perceive of, a sum of money of matter existing within the material conception of World. Heidegger clearly explains, The world worlds, and is more fully in being than the tangible and perceptible solid ground in which we believe ourselves to be at home (Heidegger, pg 170). Heidegger defines World as an ontological concept, in which a web of significant relations exists between Dasein and all that is ready-at-hand. For example, a coffee table exists in a web of significant relations for it points to those who regularly sit at it, which then can branch of to the unlike conversations ha... ...e work lets the earth be an earth (Heidegger, pg 172). He then adds, The opposition of world and earth is strife (Heidegger, pg 174). We finally have the criteria of what Work is. Heidegger explains that work sets up a world and sets forth the Earth. The work is an instigating of this strife (Heidegger, pg 175). That strife opens truth or as Heidegger puts it, Aletheia to the observer of the Work. The struggle or skirmish is the process of a work of art taking place within the art work itself. In conclusion, the concepts of Work and Equipment that Heidegger presents in The Origin of the Work of Art can be summarized as follows. Equipment defines itself by its use and Work is grounded upon the Earth and World it was created on. Whose essential importance cannot be understated in order to visualize Heideggers message within the text.